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Tilt is a family of variable typefaces inspired by three dimensional lettering found in storefront signage. Subfamilies: Tilt Neon mimics the construction of neon tube lettering , Tilt Prism based on prismatic lettering, cast or cut in a material , Tilt Warp resembles peeling vinyl stickers. The variable fonts have two axes, horizontal rotation and vertical rotation.

Anicons is the first animated color variable icon font. Made by Wenting Zhang and Hua Shu, it combines variable font and color font technologies. Their Github page explains how to proceed in html. Anicons is free. Member of the Contrast Type Foundry in Moscow.

Inspired by the industrial and military lettering in the Soviet era, it is named after the Pe-2 aircraft also called the Peshka. CoFo Peshka features weight and width axes. Antonia Cornelius. German type and communication designer, lecturer and researcher with a special interest in legibility and readability b. What Creatives should know about reading processes in order to design joyful reading experiences. She also did a Master's with Veljovic, which led to her Legilux typeface family a transitional serif with optical sizes as well as a sans serif and further research on legibility.

She graduated in Her typefaces: Legilux A transitional serif with optical sizes as well as a sans serif developed during her Masters studies at Hamburg University of Applied Science. With Albert-Jan Pool. They set up a reading-speed test by reverting to well-tried test material, which they set in their new typefaces Legilux and Text Type as well as the common Walbaum Standard.

Focusing on the effect of the optical scaling method, the typefaces were tested in two sizes: 1. The results tend to show a positive effect for optical adjustments in type designs. It is a variable font with two axes, weight and width. Octane is a free font consisting of a total of 18 weights, but the free version consists in fact only of one variable font and it has no numbers. They explain that Octane was initially created to fit with any car designed by Pininfarina.

Antonina Zhulkova. Tt is a functional sans-serif that draws inspiration from Finnish signs of the functionalism era. TT Lakes Neue is an almost monolinear sans, with ovals in the form of rounded rectangles, reminiscent of Nebiolo's Microgramma. It comprises a useful variable font. In , Antonina Zhulkova and Yulia Gonina designed TT Autonomous , a style wide brutal technological sans family that includes a monospaced subfamily and a trio of variable fonts.

Anupap Jaichumnan [Jipatype]. In September , Apple announced the imminent arrival of the Apple Watch, which came with a new neo-grotesque sans-serif typeface developed in house. It has a legible, open DIN-like look, but the name of its designer was not released. The 35 fonts are grouped into subfamilies San Francisco Text and San Francisco Display, and are available to designers of Apple Watch applications here.

The reaction of the curmudgeon society, aka The Typophiles , is quite predictably negative, with opinions including Susan Kare's original San Francisco also done for Apple was better [note: Kare's was a ransom note font]. I really wonder why the typophiles botherit's not their magazine or their web pagecompanies are free to use anything they like, including "not wasting a lot of effort on new typefaces". Some San Francisco fonts are free from Apple's web site.

Developed between and , these fonts have become the Apple System fonts for basically all Apple machines. San Francisco has gradually replaced most of Apple's other typefaces on their software and hardware products and for overall branding. Apple uses it on its website and for its product wordmarks, where it replaced Myriad Pro. It is also used as Apple's corporate typeface. Apple restricts the usage of the typeface by others.

It is licensed to registered third-party developers only for the design and development of applications for Apple's platforms. The main difference is that the sides of letters with round shapes, such as o, e, and s, are round in SF, whereas they are flat in SF Compact.

The flat sides allow the letters to have more space between them, thereby making the text more legible at small sizes, which is particularly important for the Apple Watch. Compared to display, the letters in text have larger apertures and more generous letter-spacing. The operating system automatically chooses the display optical size for sizes of at least 20 points, and the text optical size otherwise.

It is used in the new contact placeholder icons introduced in the OSes. This variant is exclusive to Apple Books in iOS 12 and macOS Mojave, is not mentioned in Apple's Typography design guidelines, and is not publicly downloadable like other variants of the San Francisco typeface. Postscript: The San Francisco font should not be confused with Susan Kare's ransom note bitmap font San Francisco which was created in for Apple. Apple font download site where one can find San Francisco Compact this sans-serif typeface is the system font for watchOS, and includes a rounded variant , San Francisco Pro this sans-serif typeface is the system font for iOS, macOS, and tvOS, and includes a rounded variant , and New York a large transitional typeface family with optical and width sizing; , that won an award at the Type Directors Club's Type Design Competition Also included is the variable font San Francisco Rounded, which includes a weight axis and a grade axis for adjusting the stroke weight without changing glyph widths.

In , he went commercial, and started selling fonts through MyFonts. In he started Mawns Design. In , that was renamed to Aring Typeface. In he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial: Acryle Script Actonia A monoline script.

Adielle Aerofoil A vintage bottom-heavy script. Airways A signage script. Akayla Script Aliey A 4-style Victorian copperplate serif. Aliment A sharp geometric sans. Amertha Amplify Angars Runes medieval, with gothic cathedral curves.

Angilla Tattoo A connected spurred tattoo typeface. Followed by Angilla Script Antlers A calligraphic script. Aquate Script Arachnids , graffiti face Artely Inks Artisual Deco Pure art deco. Artographie An all caps art deco typeface family. Atelas Signage type, baseball script. Atures Futuristic and monoline. Autograf and Autografia Signature typefaces. A family of baseball scripts. A connected script. Backpack A thick signage script typeface.

Backyard A blackletter typeface. Barkants , elegantly hand-printed family. Barley Script Baystar Script Beautiful Trouble A rabbit-eared upright connected script. Beaked Tyrant A copperplate calligraphic script. Belladio An urban script. Bellino Bezar A script. A heavy signage script. Billion Stars A tattoo script font. Bira Blaak Black Fox A sirupy brush face. Black Signature A bold signature font. Black Larch and Dark Larch Bloc Boy Like handwriting.

Blockography A sketched typeface. Botanink Bouncy a cartoon font. Bourdos A script typeface. Bready A retro signage script with art nouveau aroma. Brev Script A connected secretary hand from the 19th century. Bronze Script Brother Tattoo Bumblebees A plump curvy script.

Bunya A geometric slightly deco sans typeface family. Calendary Hands Caligraf Canela Bark , co-designed with Luis Miguel. Caneletter Sans and Script Upright unconnected and connected scripts. Cantona Script Canyon A wide elliptical sans in 18 styles, featuring a coathanger lower case f. Capoon A ten-style sans family. Caprica Sans and Caprica Script. A plump script. Caravela A pirate map script. Casat Cap An all caps brush typeface family.

Caster A heavy poster script. Castro Script Catchland A retro baseball script. Celebrater sic An oily font. Cellos Script Centeria Script Channel , connected upright script Chapel Script For signage. Characteristic Chavenir Chinal Choko , released in Chocolate and cream-themed decorative typeface. Chrysante A monoline flowing pen script. Clear Line Clipper Script Clothe Coneria Script Conture Script Elegant, classical, and with exaggerated capitals.

Crackin Crunchy An upright connected script. Cruz Quaste A handcrafted blackletter typeface. Cubest A squarish monospaced techno family. CutScript , connected script. Danbury A speed-emulating sans. Dark Crow Dollie Script Ebbing Echinos Park Script Ederson A vintage signage script. Ekologie Hand Ekorre Aa vintage decorative serif. Elaya Script A creamy signage script. Electronics A retro signage script. Elevate Emiral Script A baseball script. Encina Script A thin calligraphic typeface.

Enlighten Delinquente Denigan , hairline Equal Sans Ethernal Europe Underground , geometric sans with a hairline weight. Fabulous and Fabulous Gold Signage script. Duera A variable width sans typeface family. Fargo A cursive script.

Fat Wandals A graffiti font. Feathergraphy Clean Fibography A caps typeface composed of fibers. Filbert Brush , Filbert Color , a soft brush font. Finition A connected brush script. Fireplace Firstly A flowing calligraphic signature script. First Lyrics First Reign A medieval typeface. Flighter A retro airplane font. Fondy Script Frankentype An all-caps brush typeface for signage. From Skyler Funkygraphy , fat and counterless. Gecko , a fine creamy signage script.

Geza Script A great angular almost Arabic-looking script. Ghang , graffiti family. Gingo Goatskin Brush A great brush typeface. Golden Hopes A signature script. Gonzi an style sans. Published in Graced Script A wide calligraphic connected brush script. Grandi A ten-style display sans. Gready A fat signage script. Greback Grotesque The Thin is very very thin. Gretoon , cartoon family Griphite A rough brush typeface.

Guld Script Habanero A fat signage typeface. Handtalk , silhouettes Harbell Hard Block , Western slab face. Hastafi An 8-style sharp-edged display serif. Haydon Brush Heavy Rain Decorative initials, and an all caps wedge serif. Hemicube a wide squarish all caps sans Hemmet Hierograf A layered textured handcrafted poster typeface family.

Hitalica Honeymoon Housegrind , connected script. House of the Dragon blackletter. Hoyle A slab serif. Hundred Miracles a signage script. Impregnable Indiana Script Inked Bones Intrique Script Isle Body , Isle Headline Jaymont A sharp-edged wedge serif typeface family. Jengotan A dry brush script. Jumper A style sans. Free download for personal use only. Kandira A sleek sans family. Kanvas Kerater , sans Lace 2.

A thin connected script co-designed with Matteo Milazzo. Lacosta Kompar Krinkes , baseball script. A connected swashy signage script. Kurri Island Lakesight Larch A crisp script typeface. Largelake Las Enter A neon light script. Leaders A blackletter font. Ledare A style bold and expressive sans. Letric Let Me Ride Levitee , a lively connected script. Lighthouse A bold high-contrast script face.

Lina Script A tattoo script done with Vicky Mardian. Lourino Low Casat and Low Casat Fat Lyrics Movement , tall-ascendered hand. Lyster Mandoul Script and Mandoul Black a brush script. Mainland A sans family. Mainstream Graffiti style. Manofik a 4-style warm retro serif with a coathanger lower case f; for Latin, Cyrillic and Arabic. Martyric , brush script , Masteries A connected formal script. Mastoc Mauritz Caps brushed and Mauritz a great wild script family , both published in Followed by Mauritz Sans a brush script with a strong personality and a cartoon vibe in Mean Casat Medish Script A great calligraphic handwriting typeface.

Together with Noah Kinard, he designed the calligraphic typeface Melay Script Middle Ages A Lomardic blackletter in Regular and Deco styles. Milasian Circa and Milasian. Merry Christmas A retro script in Flake and Star styles. Followed in by the color script font Merry Christmas Color. Milkyway Hotel art deco sans. Miraikato Hand and Miraikato Script a rustic script Mistuki An oriental brush simulation font. Mochary A signage or tattoo script.

Molly Sans Caps only. Monsta Tag : a graffiti font. Motion Picture A heavy connected retro script. Mount Made With B , sketched face. Mardian A calligraphic tattoo script done with Vicky Mardian. A fat upright connected script. Moneymachine Monosphere A futuristic monospaced typeface. Murality A readable graffiti or mural typeface.

Myteri Tattoo and Myteri Script a calligraphic script. Nacinth Nino Script A tattoo font. Nobella Normale A set of distressed typewriter fonts. Notera A connected handwriting font. Followed by Notera 2 in Odenburgh A medieval calligraphic typeface. Optien , techno face Ordinatum , a severe sans.

Original Black A fat blackletter typeface. Ornamental Versals , ornamental caps Painter A sign painting script. Patched Pennybridge , blackletter Pharmount A calligraphic connected script. Phraell A great italic formal calligraphic script with optional swashes.

Pigeon Pineapple Plates Napery Plicata Pligo A balloon or cartoon font. Preside Prime Script Prognostic Qaskin A semi-formal connected script typeface with Black and White outlined styles. Qhuman A 6-style Victorian serif. Qraxy Quache Variable and Quache A style flexible sans family. Quanton An 8-style angular serif. Querino Sans A very bold sans. Followed by Querino Script Quickier Pro A swashy calligraphic script face.

Quincho Script Quintal Script A retro signage font. R , LED face. Rabento A 6-style condensed display slab serif. Radio A creamy ultra-fat upright script. Followed by Rough Rakoon in Rangly A paint roll font. Raspberry Script Recorda Script A formal calligraphic script. Reditum A decorative script. Reeler , with Noah Kinard. Remachine Script Retro signage script. In , Mans added Remachine Script Arabic. Respondent Rider , a style "versal" sans family Ringer circle and arc-based sans Ristella Rivera A narrow sans in 10 styles.

Rodrigues Roona Sans modernist and organic curves. Ropest A rope font. Rougant An organic display font. Roughen Rurable A fat baseball script. Saker Sans San Andre and San Andreas , the free version. Santa Claus A blackletter typeface, accompanied by Santa Claus Deco, a snow crystal font. Scantype Sculptor's Hand , connected chancery hand. Second Lesson A wide script. Second Lyrics , Treefrog-style handwriting Sequal Sicret and Sicret Mono An all caps family.

Servin' for Salute Shaded Larch Sharpe A sharp-edged high-contrast serif typeface family. See also Sharpe Variable Shenandoah flowing signage script. Shimes Shipped Goods Shortbrush Signerica , connected flowing hand Sketchica , sketchy face Skyzhi An advertising headline typeface. Society Editor , connected script. Snacker Comic Snowstreet , an octagonal typeface and Snowy South African A movie poster brush typeface.

Southern Aire , connected script face. Specify A style sans family. Download, free for personal use. Spoken Sponger In the VAG Round genre. Square Worm Stackyard Stainy Starella Script and Starella Tattoo Starge Starkey Stormland A wide monoplinear sans. Stormline All caps, wide and outlined.

Strawberry Script String Lines Stroke Dimension A 3d typeface. Struck Base Suecos Locos yummy! Sultan Cafe An interlocking poster typeface. Sunny Sam Sverige Script Calligraphic wedding font. Tall Casat Tamoro Script Taylor Hand Tevegraphy , elliptical The Hills Tipbrush Script Tomino Top Comic A very fat cartoon bubble face.

Undergone Decorative and calligraphic. Unthrift A pen script. Github link. Linkedin link. Home page. Achaz Reuss. He designed an elegant high-contrast art deco display typeface Miami EF in , the broken black lettering typeface EF Splitter, the horizon lettering typeface EF Eastside in , and Nivea in for Beiersdorf. FontShop link. Linotype link.

Catalog of his typefaces. Adam Fathony [AF Studio]. Eger, Hungary-based designer of Kann17 and Heming a free variable sans. Adam Greasley [Wearecolt]. Adam Jagosz. Aka Iorveth Aen Seidhe. Katowice, Poland-based designer of Slowglass a stocky style geometric semi-serif sans family with vast language coverage that includes Cyrillic, Greek and Vietnamese , the rune simulation font Pertho and the penis font Semi He also made several interesting calligraphic pieces.

Aka Quadratype. Devian Tart link. For her Master's degree in Design and Multimedia at the University of Coimbra, Portugal, Beatriz Diogo created a script Adaptype that allows any font's width to respond to the window size and the development of a website.

Adrian Frutiger. Famous type designer born in in Unterseen, Switzerland, who died in September Art director for Editions Hermann, Paris to Frutiger lived near Bern, Switzerland, and was very interested in woodcuts. Quote: Helvetica is the jeans, and Univers the dinner jacket. Helvetica is here to stay. He designed over fonts. Digitized by Linotype in The Bitstream version of this font is Formal Script Bitstream's Calligraphic is slightly different.

About the name, Frutiger wrote I liked the name Monde because of the simplicity of the sequence of letters. The name Europe was also discussed; but Charles Peignot had international sales plans for the typeface and had to consider the effect of the name in other languages. Monde was unsuitable for German, in which der Mond means "the moon".

I suggested "Universal", whereupon Peignot decided, in all modesty, that "Univers" was the most all-embracing name! Univers IBM Composer followed. In , Linotype published Univers Next, which includes 59 Linotype Univers weights and 4 monospaced Linotype Univers Typewriter weights, and can be rented for a mere Euros.

In , Linotype added Univers Next Typewriter. Apollo , Monotype : the first type designed for the new Monotype photosetting equipment. Alphabet Entreprise Francis Bouygues. Alphabet Algol. Astra Frutiger. A typeface variant of Frutiger licensed under Linotype. It is the font used on the highways in Switzerland. Serifa , Bauersche Giesserei. Bitstream published the digital typeface Serifa BT. The slab serif is robust and is based on the letterforms of Univers. Devanagari and Tamil , both done for Monotype Corporation.

Dokumenta , Journal National Zeitung Suisse. Alphabet Facom Alphabet Brancher , Brancher. Iridium , Stempel. A didone with slight flaring. Alphabet Centre Georges Pompidou. In , Frutiger Next was published by Linotype. In fact, Frutiger, the typeface was made for the Charles De Gaulle Airport in for signageit was originally called Roissy, and had to be similar to Univers. It was released publically as Frutiger in The modern Bitstream version is called Humanist Glypha , Stempel.

See Gentleman in the Scangraphic collection. Breughel , Stempel; , Linotype. Versailles , Stempel. Linotype Centennial Avenir , Linotype. In , Linotype Avenir Next was published, under the supervision of Akira Kobayashi, and with the help of a few others. Avenir Next World, released by Linotype in , is an expansive family of fonts that offers support for more than languages and scripts. Lovely poster by Ines Vital Vectora , Linotype. Linotype Didot See also Linotype Didot eText Pro , which was optimized by Linotype for use on screens and small devices.

Herculanum , Linotype : a stone age font. Shiseido Frutiger Capitalis , Linotype : a further exploration in the style of Herculanum, Pompeijana and Rusticana. Linotype trademarked that name even though at least five fonts by the name Capitalis already exist. Pompeijana , Linotype. Rusticana , Linotype. Frutiger Stones , Linotype and Frutiger Symbols.

Frutiger Neonscript. Courier New , based on Howard Kettler's Courier, was one of Frutiger's projects he was involved in ca. AstraFrutiger : a new signage typeface for the Swiss roads. Erich Alb comments: With a Frutiger condensed Type and illuminated signs during night it is mutch better readable. Nami is a chiseled-stone sans family, made with the help of Linotype's Akira Kobayashi. Neue Frutiger , with Akira Kobayashi has twice as many weights as the original Frutiger family.

Bio by Nicholas Fabian. A quote from his keynote speech at ATypI If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.

Wikipedia link. View Adrian Frutiger's typefaces. View some digital versions of Avenir. More Vimeo movies. Adriana Perez Conesa is a Spanish graphic and typeface designer, currently based in Barcelona. She studied art and graphic design at the University of the Basque Country.

Her typefaces: Subs and Stuff These are her graduation typefaces at Reading. Subs n Stuff. Subs uses squarish letterforms with low contrast, large x-height, generous apertures, pixel-traps and clear shapes, all to help reduce the chances of misrecognition and increase legibility. Subs contains two different styles: Micro, intended for low-resolution screen and small sizes, and Text, for high-resolution screens and bigger sizes.

Text is also variable in the weight axis. Stuff is a variable subfamily that covers weight and optical size axes. Both typeface families are accompanied by an italic style and support Latin and Arabic scripts. A revival of Augereau Gros Romain Rockera Essone A didone.

Aurum Sans Her graduation project at the University of the Basque Country. Aurum Sans is a geometric typeface in which she combined rationality with humanism. Adrien Midzic. Fatnobrain was Adrien Midzic's design studio in Paris. Born in , he co-founded Pizza Typefaces with Luc Borho in Midzic designed these typefaces or type families: Fine lineal , Blokus free pixel font, , Cimen strong sans, designed for Smacl Entraide , Mesquine lineal , Blitz , Cucha, Stencil Reverse , Huit , a gorgeous didone headline face , Stenha stencil.

Fonts made in The ETH family art deco sans. It was renamed Vanille FY after a few days. At the free font cooperative Velvetyne , he published the sans typeface Lack In , he made the 3-style sans typeface Suber for an art fair in Paris. The roman transitional typeface Bota Serif , which was inspired by Cochin designed by Charles Peignot in is a custom font designed for Hotel des ventes de Poitiers. In , it was finally released for retail.

In , he published the piano key typeface Mixal, which became a large experiment on variable fonts and is free for everyone. Dafont link. Behance link. Another Behance link. Hellofont link. Velvetyne link. Adtypo [Andrej Dienes]. Andrej Dienes is a type designer in Bratislava, Slovakia. He set up the commercial type foundry Adtypo in Creator of these typefaces: Akceler Advertised as a type system for sports.

The text that accompanies this large typeface family: Elasticity of glyphs reflected adrenalinous shapes of latest bikeframes, skies or sportcars. Maximum open arches guaranteed good readability in very small sizes and prevented interchanges of glyphs "o, c, e" per poor reading conditions. Softness of minuscules is at capitals balanced in bottom arches, that are subtly kicked-up.

Numerals are important component of sport communication, so here have expressive design, different from numerals of book typefaces. Every font have 10 kinds of numerals. Character case contains between glaphs sport icons and othes signs creating sport feeling. Densit An ultra-black display family that includes a Sans and a Serif. It was designed for Reco, Senica.

Fazeta An angular traditional Czech typeface family in which each font has an impressive glyphs, and the family is divided into Display, Text and Caption subfamilies. He calls it a text typeface without sentiment. It was followed a bit later in by the companion font Fazeta Sans. Resonay , at Typemates , an award winner at 25 TDC in Cosan A variable sans-serif typeface with a broad range of weights and adjustable contrast.

AF Studio [Adam Fathony]. In , he published the connected swashy script typeface Octavia Script, the brush scripts Carbonera and Shallom, the hand-lettered Vanilla Daisy Script and Mightype, the watercolor script Hollycakes, and the connected Brayden Script and Sans. Typefaces from Figuera Variable a late Victorian, early art nouveau typeface family; variable font format , Brignola a calligraphic penmanship script , Eastside Brush a brush signage script done with Angga Kristiandri , Marshfield a retro cursive typeface by Adam Fathoni Haris and Renov Olivian , C'est La Vie font duo , Chivels a vintage typeface done with Angga Kristiandri at Abbassy Studio , Sevastian a layered font family , Drustic Dialy weathered; with Angga Kristiandri , Elli Bellie calligraphic.

Typefaces from Balide a 70s style display typeface , Norsy a style and variable flared font family. Graphic designer in Trinidad, who co-founded Unqueue, a mobile app designed to improve retail experiences in the Caribbean. He designed a few, mostly custom, typefaces.

These include Crispy an angular design started in that has mushroomed into an 8-axis variable font, built based on David Berlow's proposal for parametric variations, combining axes such as X-Transparency, X-Opacity, and Y-Opacity to generate masters for styles such as widths, weights, grades, and optical sizes; it is planned as a Google Font , and Ephemeral a layered color font based on the lettering style of Bruce Cayonne.

Aim Type [Saurabh Sharma]. Saurabh Sharma b. He created the nice rounded organic sans typeface Lead Designer of the free geometric asans Google font family Kumbh Sans Typefaces from Cause , Cause Variable a variable weight monolinear rounded sans font with a comic book appeal. Akimbo is the experimental type foundry of American designer Kaleb Dean. Most of the fonts have variable versions. Akira Kobayashi. Born in in Niigata, Japan.

Studied at the Musashino Art University in Tokyo. He also studied calligraphy at the London College of Printing. He became a freelance designer in Akira Kobayashi, who was based in Tokyo prior to his move to the Franfurt area, is an accomplished type designer who has created numerous typefaces for Sha-Ken, Dainippon Screen where he made the kanji font Hiragino Mincho , TypeBank from , ITC and Linotype, where he is Type Director since CV at bukvaraz.

Interview in His typefaces: Helvetica Neue eText Pro Dainippon Screen: the kanji font Hiragino Mincho. Stempel AG and the Linotypes design studio in Neuzeit S itself was a redesign of D. In contrast to Times New Roman, Times Europa has sturdier characters and more open counter spaces, which help maintain readability in rougher printing conditions.

Times Europa drastically improved on the legibility of the bold and italic styles of Times New Roman. Frutiger Serif is based on Frutiger's Meridien and the Frutiger sans family. Neue Frutiger , with Adrian Frutiger has twice as many weights as the orifinal Frutiger family.

In , he and Hermann Zapf cooperated on Virtuosa Classic, a calligraphic script that updates and revives Zapf's own creation, Virtuosa. Oddities: Skid Row , Socia Oldstyle. Member of a type design team at Monotype that created the Tazugane Gothic typeface in It is the first original Japanese typeface in Monotype's history. Followed in by the more restrained Tazugane Info. SST DIN Next Stencil Developed together with Sabina Chipara.

Shorai Sans and Shorai Sans Variable Petersburg, he ran a Linotype student type design workshop. View Akiro Kobayashi's typefaces. Eurostile Next review. Monotype link. MyFonts interview in Alejandro Freitez.

His typefaces: The squarish inline typeface Rectil The free text font Calicanto , which was published by Sudtipos in Ansage , at Sudtipos. Ansage is a style sans family and a variable font with weight, width and italic axes that revisits the early sans types from the 19th century, rough, raw and unsophisticated. Alejandro Paul. Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires.

He runs Estudio Paul. Published the dot matrix font Stardust with T in Designed the gorgeous font Elektora in He developed with Michael Lynch a font Tennis set of grid-based pixel fonts. At Typeworx , he published Reflex , a commercial 6-style unicase font family. Another web site by Alejandro. Cofounder of Sudtipos , where he does custom work and creates new typefaces.

His work there includes Tierra a titling face , Latinaires originally called Latina Sans , Reflex, Downtempo , Stardust and Mosaico , pixel face. For children's orthography, he developed Estrada Hand , on commission for Editorial Estrada. He was working on the serif family Libertina Herencia , a handwriting typeface done with Diego Giaccone , Grover , slab serif , Milk Script , with Alfredo Graziani , Mama Script , with Alfredo Graziani , Politica , a techno typeface with a very thin Thin weight are at Sudtipos.

In , that series was made available at Google Web Fonts. Sudestada , Sudtipos is a handwriting script developed with Diego Giaccone. Cuisine , Umbrella Type is an informal bold script. Suave Script is a 4am jazz bar script. Ministry is related in style but less funky, Chocolate is for sales ads, and Cenizas , with Angel Koziupa is straight from an old manuscript.

Whomp , Umbrella was based on a partial sign-painting font by Alf Becker s , and so was Buffet Script , Sudtipos. Affair , Umbrella is swashy and calligraphic, while Candy Script and its italic version Sugar Pie are based on Argentina's market lettering. Galgo Script is a brush calligraphic font based on a design of Angel Koziupa. Burgues Script is an ornate calligraphic script based on the lettering of calligraphy teacher Louis Madarasz award at TDC2 Sinfonieta and Buffet Script are fifties style connected scripts.

Feel Script is based on lettering that calligrapher and logo designer Rand Holub created in and that was subsequently captured in Intertype's typeface Monterey Some letterforms were redrawn from vintage American magazine ads some by Holub himself , Cuisine , food advertising script , Pronto , comic book style, by Alejandro Paul and Angel Koziupa , Grover , rounded sans family , Grover Slab Calgary Script , Umbrella is a pure signpainting job.

Accolades from all typophiles for his calligraphic wunderkind, Compendium The year starts off with a bang, five awards at Tipos Latinos a grand prize for Brownstone Sans , and four standard awards, for Semilla , Kewl Script for food packaging and store windows , Calgary Script , and for Business Penmanship. Boley s, Sign of the Times Magazine. Piel Script won an award at Tipos Latinos In , he and Koziupa made the fat signage typeface Aventura and Viento a grunge version of their earlier face, Brisa.

He added one retro connected signage font to the Filmotype collection in , called Filmotype Kitten original from Filmotype Zephyr is an italic roman formal script. Filmotype Yukon is inspired by the classic Palmer style of penmanship. Storefront is a swashy signage typeface based on an incomplete alphabet by Alf Becker.

In , he helped Panco Sassano, a lettering artist and illustrator from Mar del Plata, who designed the wide connected semi-calligraphic handwriting typeface Horizontes Script Horizontes subsequently won an award at Tipos Latinos Still in , he published the fat packaging or signage script Bowling Script , which is based on Freely Drawn Italic , a non-font alphabet by Ernst Bentele Merengue Script , with Panco Sassone is a fun creamy script, ideal for pastry shops, tea rooms or supermarkets.

Steak is a connected vintage signage script based on an Alf Becker design. Winner at Tipos Latinos of a type design award for Envelove. Still in , Guille Vizzari and Alejandro Paul co-designed the great Moleskine notebook-inspired typeface family Proprietor. It won an award at Tipos Latinos Rigatoni : A skyline didone based on midth century example by Eugen Nerdinger.

Bibliophile Script A pair of copperplate calligraphic typefaces. Fixture a font grotesk family published by Sudtipos. Newbery Sans Pro A simple workhorse sans typeface family that is inspired by German industrial design and the lettering of Eugen Nerdinger. Typefaces from Plethora an style family and two variable fonts that build on Julius Herriet's Old Style Ornamented for Bruce Type Foundry; Alejandro added various frills, ligatures, weights, exaggerating in true Victorian spirit , Magari a fat face or Normande; Alejandro likens it to Italian classics of the 19th century though , Regional 27 styles, plus variable styles.

Alessio Laiso. Creator of the free 6-style slab serif typeface Aleo : Aleo is a contemporary typeface designed as the slab serif companion to the Lato font by Lukasz Dziedzic. Aleo has semi-rounded details and a sleek structure, giving it a strong personality while still keeping readability high.

Google Fonts mentions Kevin Conroy as co-designer. In , he designed the commercial typefaces Lagu Sans and Lagu Serif , which feature large x-heights and open counterforms. Typefaces from Pani Sans which takes inspiration from Italian rationalist and art deco genres, and includes variable types. Open Font Library link. Fontspring link. Fontown link. Alexander Lubovenko. Talented Russian graphic and type designer who works for ParaType in Moscow. His typefaces: In , he and Alexandra Korolkova co-designed Circe Rounded , which is an extension of the Circe typeface , both published by Paratype.

Circe is named for the circular nature of many of its glyphs. In , Alexandra Korolkova and Alexander Lubovenko published Aphrosine at Paratype, a typeface based on pointed pen script and situated somewhere between handwriting and calligraphy. Many alternatives and smart OpenType features help Aphrosine look like real handwriting.

Liberteen is a playful tongue-in-cheek take on 19th century slab serifs, including Clarendons. For Latin and Cyrillic, from Thin to Black. Dessert Script , Paratype. A smooth-outlined advertising script for Latin and Cyrillic.

Later in , Alexander Lubovenko designed the heavy slab serif family Bombarda. Hypocrite , Paratype. He created some additional styles for Zakhar Yaschin's Mojito script font. Wak By Aleksander Lubovenko and Viktor Fitzner. Journal Sans New Six Hands Stapel , Paratype. Vast , Paratype. A style sans family, and three variable fonts, by Manvel Shmavonyan and Alexander Lubovenko.

Choices are from thin to black and regular to extra wide. The six-style typeface supports all European languages based on Latin, Cyrillic, and Asian Cyrillic Tatar, Kazakh and Kyrgyz and has a variable version. Paratype link. Alexander Nedelev [Typedepot].

Type, graphic and motion graphics designer who created these typefaces: Octarine A geometric sans typeface family with two free weights. Fivo Sans , free and Fivo Sans Modern , free. Wacom This is a simplified techno sans concept font not actually used by Wacom. Objective and Subjective , two mischievous typeface families published in Objective was slightly altered and merged with Chris Simpson's Metropolis in by Cristiano Sobral in Metropolitano.

The font sans family Agrandir Available from Pangram Pangram. The 7-weight Swiss neo-grotesk Gestalte that is characterized by mathematically precise horizontal and vertical strokes and terminals. The Baskerville grandchild AS Grafier A corporate typeface for the identity of Other Poets Society. There is a free beta version, and comes with a variable font option. Published by Pangram Pangram in The variable font Grafier can also be purchased from Type Tomorrow.

For the Cyrillic, he was helped by Sonya Yasenkova. The cyrillization of Jeremy Landes's Le Murmure in Relaate A multi-genre typeface in which the lower case t and e try to reach for the sky. Right Grotesk , Pangram Pangram. Neutral, functional, slightly hipsterish. First in 51 styles, and then extended to styles, and some variable fonts as well. In , he set out to design one typeface per day for 36 consecutive days. Future Fonts link.

Type Tomorrow link. Alexey Popovtsev [Aronetiv]. Alexis Boscariol is a Paris-based freelance graphic and type designer. The display version also has a variable outline axis, enabling more interactivity and animations. In , he published the rounded display typeface Caspar Condensed at Future Fonts.

Caspar Github link. Alfredo Marco Pradil [Hanken Studio]. Alja Herlah. Alja's typefaces: Praz Slab and Praz Italic Alica A cursive slab serif heavily inktrapped typeface designed at TipoBrda Univerza Sans , Type Salon. Univerza is not a take on Frutigerit is Slovenian for "university". Alja writes: Univerza Sans was developed to mark the hundredth anniversery of University of Ljubljana.

The style is influenced by the combination of Slovenian avant-garde with some recognizable forms that are known for Slovenian typography. Palsam Pro , Abjad. Regarding the Arabic part, they write: The main highlight for Palsam was the cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. The Ijaza is a hyper combination of Naskh and Thuluth, which makes it perfect to be a companion for the upright Naskh. Spektra , Type salon.

It also has a variable type with an italic axis. Plecnik is defined by classical elements and shapes, classic proportions, humanist stroke endings and low contast. It has a capital A with an overhang. Plecnik Display is quite different as it features flaring in every stroke. In , Alja released Gizela a dagger-edged all caps typeface , and wrote: Gizela shows her personality with a feminine, sensual, seductive and art deco vibes. Alvaro Franca [Naipe Foundry].

Andrea Tartarelli. Andrea Tartarelli studied at the Academy of Fine Arts of Carrara and worked as a marble sculptor before turning to graphic and type design. He designed Tarif selected by Fontspring. He works and lives in Pietrasanta Tuscany, Italy. His graphic design outfit is called Surface Studio. The Zetafonts team extended the original design to six styles and multilingual coverage.

The ExtraBold is free. This humanist sans-serif typeface is part of the Beatrix family Beatrix Nova, etc. Its capitals are directly derived from the stone carvings in Florence's Santa Croce Cathedral. Beatrix keeps a subtle lapidary swelling at the terminals suggesting a glyphic serif, similar to Hermann Zapf's treatment in Optima. Monterchi is a custom font for an identity project for a famous fresco in Monterchi, developed under the art directorship of Riccardo Falcinelli.

Monterchi Book is free. In , Cosimo Lorenzo Pancini and Andrea Tartarelli co-designed the sans typeface family Kabrio , which gives users four different corner treatment options. Anaphora It features a wedge serif design with nine weights from thin to heavy. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display size. Anaphora covers Latin, Greek and Cyrillic.

Canovaro's Arista served as a basis for the style monolinear rounded sans typeface family Aristotelica by Cosimo Lorenzo Pancini and Andrea Tartarelli. See also Aristotelica Pro In , he designed the italics for Cosimo Lorenzo Pancini's Domotika typeface family. Radcliffe has Text and Casual subfamilies. See also Radcliffe at MyFonts.

Codec by Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli is a geometric sans typeface family in which all terminal cuts are horiontal or vertical. See also Codec Pro In , Cosimo Lorenzo Pancini and Andrea Tartarelli co-designed the sharp wedge serif typeface Blacker to pay homage to the s.

The idea of extreme wedge serifs and reverse Italian stress was pushed even further in by Francesco Canovaro and Andrea Tartarelli in Blackest. Zetafonts writes: Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the "evil serif" genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs.

It was conceived as a contemporary alternative to modernist super-families like Univers or Helvetica. In , Cosimo Lorenzo Pancini and Andrea Tartarelli designed Holden , a very Latin cursive sans typeface with pointed brush aesthetics and fluid rhythmic lines. Extenda is a thin-to-wide grotesque advertising or movie credit family with some of the DNA of Impact or Compacta. By Francesco Canovaro and Andrea Tartarelli. In , Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli published the monolinear geometric rounded corner amputated "e" sans typeface family Cocogoose Classic , the sans family Aquawax Pro , and the condensed rounded monoline techno sans typeface family Iconic.

Klein is in their words Zetafonts' love letter to the grandmother of all geometric sans typefaces, Futura. Starting from a dialogue with Paul Renner's iconic letterforms and proportions, Francesco Canovaro and Andrea Tartarelli decided to depart from its distinctive modernist shapes with slight humanist touches and grotesque solutionswith some design choices evoking the softness of humanist sans serifs like Gill Sans.

The end result is a workhorse superfamily of 54 fonts with full coverage of Latin, Cyrillic and Greek. The original display-oriented family, developed in nine weights with matching italics from the hairline thin to the sturdy black , has been paired with a text version with slightly higher x-height, better readability and maximum legibility at small point size and with a condensed version, to be used for space-saving display solutions in editorial and advertising formats.

With a name that is both a nod to its humble functionality and an homage to French nouveau realiste artist Yves Klein, this typeface aims to become your next trusted companion in all your adventures in print, digital and motion design. Tarif Tarif is a typeface family inspired by the multicultural utopia of convivenciathe peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics.

It is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing Latin zest, calligraphic details, extreme inktraps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif , where the humanist shapes and inverted contrast of the Latin letters find a natural connection with modern arabic letterforms.

Thicker , by Francesco Canovaro and Andrea Tartarelli. They write: A geometric sans typeface on steroids, it was first designed in the muscular extrablack weight with the aesthetics of high-power dynamic typefaces used in sports communication, and then developed in the lighter weights where the shapes show some vintage-inspired proportions and the slightly squared look that nods to Novarese famous Eurostile, eponymous with retro-futurism.

Eastman , by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau is a font geometric sans workhorse family with Bauhaus genes developed for maximum versatility both in display and text use, with a wide weight range and a solid monolinear design featuring a tall x-height. It comes with a two axis variable font weight, italic angle. Malik An style flared sans typeface with seriouus contrast in the heavier weights. It has variable fonts as well.

In , Cosimo Pancini, Andrea Tartarelli and Mario De Libero drew the style Cocogoose Pro Narrows family, which features many compressed typefaces as well as grungy letterpress versions. Amazing Slab Characterized by outward-pointing top serifs, this typeface is designed for use in athletic lettering, logos and titling. Zetafonts writes: Mixing an Egyptian serif, low contrast approach with the curved endings and open shapes of humanist sans grotesques, it was developed to embody the energetic and friendly nature of the startup scenea feeling of innovation, information and energy, with a desire for simplicity and straightforward communication.

The basic design shapes for the font come from the strong personality of the extrabold letterforms drawn by Francesco Canovaro for his StartupItalia logo, that informed the display design of the four darkest weights from medium to black. Coco Sharp A style sans feast, with two variable fonts with variable x-height, by Francesco Canovaro, Cosimo Pancini and Andrea Tartarelli. Heading Now Asgard A strong experimental display sans superfamily with a 3-axis weight, width, slant variable font, designed by Francesco Canovaro, Andrea Tartarelli ans Mario De Libero.

Calvino and Calvino Grande A style sharp-edged text typeface named after Italian author Italo Calvino. Marcovaldo A tweetware condensed display serif based on Calvino. Millard Grotesque A true "grot" in the Akzidenz Grotesque sense of the word, this typeface family was designed by Cosimo Lorenzo Pancini and Andrea Tartarelli. Milligram A very tightly set grot by Cosimo Pancini and Andrea Tartarelli.

Keratine , Cosimo Pancini, Andrea Tartarelli and Mario De Libero is a German expressionist typeface that exists in a space between these two traditions, mixing the proportions of humanistic typefaces with the strong slabs and fractured handwriting of blackletter calligraphy. Andrei Robu [Typeverything].

Andrej Dienes [Adtypo]. Andres Ramirez [Vastago Studio]. Andrew Footit [Arkitype was: Virtue Creative ]. At that time, he was working on Stencil Fraktur He has been an instructor in the Type Cooper program in New York since In , he released Tilt. Tilt is a family of variable typefaces inspired by three dimensional lettering found in storefront signage. Subfamilies: Tilt Neon mimics the construction of neon tube lettering , Tilt Prism based on prismatic lettering, cast or cut in a material , Tilt Warp resembles peeling vinyl stickers.

The variable fonts have two axes, horizontal rotation and vertical rotation. Anicons is the first animated color variable icon font. Made by Wenting Zhang and Hua Shu, it combines variable font and color font technologies. Their Github page explains how to proceed in html. Anicons is free. Member of the Contrast Type Foundry in Moscow. Inspired by the industrial and military lettering in the Soviet era, it is named after the Pe-2 aircraft also called the Peshka. CoFo Peshka features weight and width axes.

Antonia Cornelius. German type and communication designer, lecturer and researcher with a special interest in legibility and readability b. What Creatives should know about reading processes in order to design joyful reading experiences. She also did a Master's with Veljovic, which led to her Legilux typeface family a transitional serif with optical sizes as well as a sans serif and further research on legibility. She graduated in Her typefaces: Legilux A transitional serif with optical sizes as well as a sans serif developed during her Masters studies at Hamburg University of Applied Science.

With Albert-Jan Pool. They set up a reading-speed test by reverting to well-tried test material, which they set in their new typefaces Legilux and Text Type as well as the common Walbaum Standard. Focusing on the effect of the optical scaling method, the typefaces were tested in two sizes: 1. The results tend to show a positive effect for optical adjustments in type designs. It is a variable font with two axes, weight and width. Octane is a free font consisting of a total of 18 weights, but the free version consists in fact only of one variable font and it has no numbers.

They explain that Octane was initially created to fit with any car designed by Pininfarina. Antonina Zhulkova. Tt is a functional sans-serif that draws inspiration from Finnish signs of the functionalism era. TT Lakes Neue is an almost monolinear sans, with ovals in the form of rounded rectangles, reminiscent of Nebiolo's Microgramma.

It comprises a useful variable font. In , Antonina Zhulkova and Yulia Gonina designed TT Autonomous , a style wide brutal technological sans family that includes a monospaced subfamily and a trio of variable fonts. Anupap Jaichumnan [Jipatype]. In September , Apple announced the imminent arrival of the Apple Watch, which came with a new neo-grotesque sans-serif typeface developed in house. It has a legible, open DIN-like look, but the name of its designer was not released. The 35 fonts are grouped into subfamilies San Francisco Text and San Francisco Display, and are available to designers of Apple Watch applications here.

The reaction of the curmudgeon society, aka The Typophiles , is quite predictably negative, with opinions including Susan Kare's original San Francisco also done for Apple was better [note: Kare's was a ransom note font].

I really wonder why the typophiles botherit's not their magazine or their web pagecompanies are free to use anything they like, including "not wasting a lot of effort on new typefaces". Some San Francisco fonts are free from Apple's web site. Developed between and , these fonts have become the Apple System fonts for basically all Apple machines. San Francisco has gradually replaced most of Apple's other typefaces on their software and hardware products and for overall branding.

Apple uses it on its website and for its product wordmarks, where it replaced Myriad Pro. It is also used as Apple's corporate typeface. Apple restricts the usage of the typeface by others. It is licensed to registered third-party developers only for the design and development of applications for Apple's platforms.

The main difference is that the sides of letters with round shapes, such as o, e, and s, are round in SF, whereas they are flat in SF Compact. The flat sides allow the letters to have more space between them, thereby making the text more legible at small sizes, which is particularly important for the Apple Watch.

Compared to display, the letters in text have larger apertures and more generous letter-spacing. The operating system automatically chooses the display optical size for sizes of at least 20 points, and the text optical size otherwise. It is used in the new contact placeholder icons introduced in the OSes. This variant is exclusive to Apple Books in iOS 12 and macOS Mojave, is not mentioned in Apple's Typography design guidelines, and is not publicly downloadable like other variants of the San Francisco typeface.

Postscript: The San Francisco font should not be confused with Susan Kare's ransom note bitmap font San Francisco which was created in for Apple. Apple font download site where one can find San Francisco Compact this sans-serif typeface is the system font for watchOS, and includes a rounded variant , San Francisco Pro this sans-serif typeface is the system font for iOS, macOS, and tvOS, and includes a rounded variant , and New York a large transitional typeface family with optical and width sizing; , that won an award at the Type Directors Club's Type Design Competition Also included is the variable font San Francisco Rounded, which includes a weight axis and a grade axis for adjusting the stroke weight without changing glyph widths.

In , he went commercial, and started selling fonts through MyFonts. In he started Mawns Design. In , that was renamed to Aring Typeface. In he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial: Acryle Script Actonia A monoline script. Adielle Aerofoil A vintage bottom-heavy script. Airways A signage script. Akayla Script Aliey A 4-style Victorian copperplate serif.

Aliment A sharp geometric sans. Amertha Amplify Angars Runes medieval, with gothic cathedral curves. Angilla Tattoo A connected spurred tattoo typeface. Followed by Angilla Script Antlers A calligraphic script. Aquate Script Arachnids , graffiti face Artely Inks Artisual Deco Pure art deco. Artographie An all caps art deco typeface family. Atelas Signage type, baseball script. Atures Futuristic and monoline. Autograf and Autografia Signature typefaces.

A family of baseball scripts. A connected script. Backpack A thick signage script typeface. Backyard A blackletter typeface. Barkants , elegantly hand-printed family. Barley Script Baystar Script Beautiful Trouble A rabbit-eared upright connected script. Beaked Tyrant

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Born to get wild mp3 320 kbps torrent Signage type, baseball script. Alexis Boscariol is a Paris-based freelance graphic and type designer. Inhe and Hermann Zapf cooperated on Virtuosa Classic, a calligraphic script that updates and revives Zapf's own creation, Virtuosa. Fireplace He designed an elegant high-contrast art deco display typeface Miami EF inthe here black lettering typeface EF Splitter, the horizon lettering typeface EF Eastside inand Nivea in for Beiersdorf.

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