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Daniel P. I would also like to thank Dr. Werner Volke and Dr. I wish also to express my appreciation to Agnes Peterson o f the Hoover Institution, who has been o f immeasurable help to me over the last twentyfive years. Robert Wolfe o f the National Archives and the late Dr. John Mendelssohn also alerted me to several important sources. I am grateful to the editors o f the Journal of Contemporary History for permission to quote from my articles on Horst Wessel and Herbert Norkus.

Several individuals went out o f their way to assist my efforts to approach the study o f National Socialist film in a professional manner. Gerd Albrecht and Dr. Gero Gandert and Dr. I have benefited from discussions with several colleagues, who were very generous with their dme. Lauren Bryant o f the Indiana University Press was very skillful in directing the manuscript through the many stages o f publication. This book would not have been written without the loving support o f my wife, Sally.

Her unselfishness and mature counsel over the years are deeply appreciated. The German cult o f heroism was tied more to death than to life, more to destruction than to victory. Hider held the memory o f the fallen heroes in almost religious awe, and he was much more at home among the dead than he was among the living. His confusion o f barbarity with heroism had tragic results. Ultimately in the Third Reich the distinction between myth and reality blurred. It took a tragic war o f annihilation to destroy the Third Reich and its pantheon o f heroes.

It is the purpose o f this book to analyze the world o f Nazi mytholgy, to discover its historical origins, and to examine the interplay between myth and reality in German politics from to In the Nazi philosophy o f death, symbolic figures assume center stage. The careers o f major figures from the world o f Nazi film Karl Ritter , music Hans Baumann , and literature Gerhard Schumann are analyzed to mark variations on the theme o f heroic nationalism.

All three individuals contributed significantly to the formulation o f National Socialist aesthetics. Ultimately the Nazis employed all means in their desperate drive for power and glory in World War II. There was no middle ground, no half-way station on the route to national greatness.

This work is written in a style that accurately reflects the historical milieu o f the era. National Socialism often took the form o f political theater, and the drama o f the propaganda battle is conveyed here. The work makes no claim to an all-embracing assessment o f its central theme. Indeed each chapter could stand alone as representative o f one genre o f Nazi myth. Long xii I Introduction dead heroes come to life once more in Nazi ideology and ritual, answering trumpet calls from afar.

The concept o f heroism as a form o f national identity has many parallels in the past. Throughout history, heroism and antiheroism have gone hand in hand; indeed heroism without antiheroism is inconceivable. The noble Siegfried, the very model o f bravery and virtue, was betrayed by the ignoble Hagen.

The concept o f the hero was redefined in World War I, when bare-chested men stood against the full force o f the weaponry o f a technological age. There it was to become a philosophy o f life, a philosophy born at Langemarck— the batde o f Ypres— in T he young heroes were heralded as the vanguard o f a purified Germanic race o f blond warriors, who would return a decadent society to the heroic spirit that once motivated their tribal ancestors.

The youth o f Langemarck had not died in vain but had won eternal life among the fighting heroes o f Walhall. After the trauma o f defeat and the abdication o f the kaiser, the blood o f the martyrs offered some measure o f consolation and hope, as well as the promise o f national regeneration.

The myth o f sacrifice sustained many people through the dark days o f the communist revolution, the agony o f Versailles, and the indignities o f the Weimar Republic. Finally, when the French added insult to injury by occupying the industrial heartland o f the Ruhr, a new hero— Albert Leo Schlageter— arose to carry the flag against the enemy.

Schlageter was the very model o f a German hero. A pious Catholic youth from the Black Forest, he served as an artillery officer during the war, and he became alienated from the postwar world. Joining a Free Corps, he fought the Bolsheviks in the East and helped to free Riga from the hands o f the insurgents.

His passion for Germany was so deep that he engaged in hopeless guerilla warfare against the French occupiers. His subsequent Introduction xiii arrest, incarceration, and brutal execution led to comparisons with Christ on Calvary. Almost immediately a myth was conceived whereby a tall, slender, blue-eyed German youth, unwavering at the chasm o f the abyss, was transfigured into a national saint.

The intrepid Schlageter was seen as a star, shining from afar in the dark o f the German night. Imitators were not long in coming. The young National Socialist movement also demonstrated that blood shed for the nation was redemptive. This heroic mythology became the batde cry o f the Nazis in the period o f struggle.

Ceremonies in their honor became the focal point o f party ritual every November thereafter, ceasing only in According to the Nazis, Germany in the past had owed its resurgence to eternal youth, and the line o f mythical regeneration had passed from Siegfried to Parzifal and, thence, to Horst Wessel in the twentieth century.

He was gunned down in in a small apartment in Berlin, where he was living with a former prostitute. A new myth was bom, and henceforth the name Horst Wessel became synonymous with heroism. Wessel had won so many converts from the communists in the drab proletarian wards o f Berlin, and had made such a name for himself, that the Bolsheviks conceived an elaborate campaign o f calumny against him.

In the world o f the radical right and left, there was no room for a rational, measured assessment o f Horst Wessel. The myth o f Wessel found its counterpart in the short life and tragic death o f the child martyr Herbert Norkus. The darling o f the Hitler Youth and the lodestar o f youthful idealism, Norkus epitomized the suffering o f the young generation in Weimar Germany. The son o f a worker in a drab section o f industrial north Berlin, this child o f the Volk found a new home with the Hitler Youth.

The organization offered him comradeship, order, and fun, the joy o f sport, hiking, and boating. It was quite a contrast to his nadve Moabit, where industrial slime pervaded life in the impoverished district. He was brutally murdered by a gang o f communists, who could not have divined that they were slaying a boy who would become a Nazi Immortal. Young Germany was on the march, and the best had to die so that the nation might live. Music accompanied Germany on the road to power as well as in the halcyon days o f victory.

Every great movement has its troubadour, and so it was with the Hider Youth. Hans Baumann, himself but a youth when he began wridng songs o f batde and sacrifice in the late s, became the Pied Piper o f the Hider Youth.

He delighted at the sound o f pipes and drums and at the sight o f columns o f German youth marching over hill and dale toward victory. He was thrilled to hear his songs sung by thousands and thousands o f German youths on the parade grounds o f Nuremberg and in every street and hamlet in the country.

Theirs was to be the consummate joy o f creating a universal empire. His songs were well received not only by the Hitler Youth but also by the army and the SS, where they became part o f the standard repertoire. T o read his story is to recapture the seductive spirit and enthusiasm that moved the youths o f Germany to dream o f glory on the field o f batde as their fathers had before them.

Many went to war joyfully, and millions o f them found a shallow grave in the steppes o f Russia. Gerhard Schumann offers a marked contrast to Hans Baumann among the circle o f poets and writers who created National Socialist aesthetics. Goebbels assigned poets a key role in Nazi propaganda, because they added a deeper dimension to the often mundane world o f power politics.

In the war that was certain to come, Goebbels expected the leading poets o f the Reich to adorn the brow o f the German warrior with the laurel crown o f victory. Schumann attained fame at a tender age. He was immersed in heroic thought as an adolescent.

His early poems are rhapsodies to comradeship, idealism, and the divine illuminadon o f a newborn Reich. Unlike so many Nadonal Socialists, Schumann was a purist and an ascedc. His poems celebradng Hider and the Third Reich united emodonal ecstasy with Swabian reserve, and he did not shy away from attacking, with Voltairean wit, the excesses o f the newly arrived Parteibonzen. He learned through his experiences fighting at the front that the Nadonal Socialist view o f heroism exacted a heavy toll.

His war poems reflect a deepened sense o f seriousness and purpose. Although they praise the joy o f comradeship, they nevertheless convey the intense loneliness o f all men in the ranks as they faced death so far away from home. The poems also show a tender emodon for the wives and children o f the fighdng men.

Not one too many has died for you. He acted on the assumption that there were extraordinary benefits to be gained from properly conceived film dramas. Karl Ritter looms large in this work, because he enjoyed remarkable success in projecting the image o f the German philosophy o f death. As a World War xvi I Introduction I fighter pilot, Ritter brought the realism o f the front to the Neubabelsberg film studios o f Ufa, the leading German film corporation. As a graphic artist and film director, he was skilled in the newly emerging technical aspects o f the craft.

Finally, as a National Socialist, he had all o f the attributes that Hitler looked for in a film director: interpretive abilities, a feel for both bombastic propaganda and ideological nuance in his productions, and, above all, blind faith in the basic tenets o f National Socialism. Further, Ritter was steeped in rabid anti-Semitism and anticommunism. Through film, Karl Ritter schooled an entire generation o f youth in the beauty o f war.

There is ample evidence that audiences o f Hitler Youth thrilled at his idealization o f batde and the nobility o f comradeship among the warriors portrayed in his films. Through Karl Ritter and the silver screen, Nazi imagery o f heroic death probed the outer limits o f ecstatic nationalism. Cascading orchestral scores only reinforced the appeal o f these films to impressionable audiences.

As always in history, only warfare can decide the validity o f a mythical framework. During the days o f Blitzkrieg victories, Germany was totally immersed in warrior mythology. Further, the propaganda ministry directed massive theme campaigns at both national and local levels. Further, the ministry directed the writing o f individual tracts to be given as gifts to the bereaved.

The loyal and faithful nation would be rewarded with victory, Goebbels promised, just as the people o f Kolberg were in the days o f Napoleon. In the Nazis ended the fascist era in the twilight o f mythology. They had come full circle, because mythology is where National Socialism had begun a quarter o f a century earlier in the cafes and beer halls o f Munich.

The heroes had answered their final reveille. No longer would they be resurrected, only to return to the fighting columns and standards below. The Immortals had joined the endless succession o f fallen idols who had preceded them in defeat over the centuries. The light o f yet another pantheon o f heroes was extinguished forever, giving way to the gods o f stronger powers in the endless progression o f history.

As long as Germans shall live, they will remember that these were once sons o f their Volk. Flower, Germany, as a garland o f death to us! Millions o f young men were killed, and their respective nations revered them as true sons o f their peoples who had made the supreme sacrifice. But the situation in Germany was unique and had sinister consequences.

Only there did heroic death in war become a philosophy ofi life— indeed, a significant component o f the ethos o f radical nationalism. The operas o f Richard Wagner reveal a peculiar fascination with the redemptive qualities o f heroic death. Both high culture and popular culture in Germany were pervaded with the themes o f struggle, battle, and death, that is, the redemptive death o f the warrior. Nothing was more foreign to this world view than the life o f the bourgeois, devoted to pedantic order and the acquisition o f wealth, or 2 I To D ie for G ermany l.

M it H itler im Westen. Death in battle not only guaranteed eternal life for the martyr but also acted as a resurgent life force for the Fatherland. Death in combat took on the ennobling force o f a sacrament. Honor, even more than victory, was the ultimate goal o f the hero. Comradeship is greater than death. Comradeship is something otherworldly. In it glows the spark o f the eternal. At last the German Reich could be freed from the shackles o f mediocrity and could fulfill the heroic fate willed by destiny.

The M yth o f Langemarck 3 Seldom in history has an army been inspired more by naive idealism than was the army o f woefully unprepared young men who fought in Flanders in the fall o f The final letter o f Emil Alefeld from the front reflected these attitudes. Alefeld had been a student at the University o f Munich. He was killed a few days before Christmas in Flanders.

His love for Germany lent him courage, and, as he faced the great chasm o f the beyond, Alefeld observed: We are Germans; we fight for our people and shed our blood and hope that the survivors are worthy o f our sacrifice. For me this is a struggle for an idea, the Fata Morgana o f a pure, loyal, honorable Germany.

And if we go to our deaths with this hope in our hearts, perhaps it is better than to have won the victory and to learn that it was only a superficial victory, which did not improve our people spiritually. Many had the immature faces o f seventeen-year-old boys, and their eyes shone with enthusiasm.

They encamped for a few weeks near Lille, behind the front lines, where they received what passed for military training. Many went into battle without even being issued the shovels needed to prepare cover to protect them from enemy fire. And there were too few officers to lead these units. As a result, the zealous youths, many o f them drunk with excitement and bursting into song, were mowed down by the thousands as they attacked the enemy in open fields.

Then we heard the crack and roar o f gunfire, singing and yelling, and with wild eyes we all lunged forward, faster and faster, until suddenly man-to-man fighting broke out in turnip fields and thickets. Yet through propaganda and poetry, their graves were rendered sacred shrines. The young men o f Langemarck became the symbol for all o f the German fallen in the Great War. The dead o f the Marne, Somme, and Verdun and all o f the fighting fronts were subsumed in this symbol o f youthful sacrifice.

Theirs was the joyous, endless sleep o f the redemptive, for they were vessels o f divine grace. The stress led to an assault on traditional political, social, and cultural values, which further alienated the nationalists.

The memory o f the heroic fallen was an issue that united conservatives and the radical right, who fought a running batde with the left over questions related to the war. His deeply felt love and respect for his fallen comrades and devotion to an idealized German nation based on tradition had inspired several notable war poems, and he was viewed as a spokesman for the traditional Junker ethos.

Langemarck, he said, had transcended history and had the force o f a mythos, eternally testifying to the truth, eternally rejuvenating the nation. The conclave o f youth had answered the ennobling call o f Langemarck. Binding joined the company o f nationalist youth as if he were entering a Greek temple.

His description o f the orderly laying o f camp would have delighted Caesar himself. A medieval Rhenish mass prepared the youths to receive the solemn words o f an honored poet, who reflected on his own experience in the sacred fields o f Langemarck. On the next day they engaged in strenuous games, uniting pure spirit with cultivation o f the body like their Greek forebears. The scene was made more beautiful by the unity o f spirit o f those present, where religion, race, and class gave way to the higher good o f the Fatherland.

As they lowered their flags in honor o f the men o f Langemarck, theirs was the peace that passeth all understanding. The dedication o f the Tannenberg National Monument in East Prussia in added significantly to the mythology o f the fallen. The Tannenberg Nationaldenkmal Verein e. The monument was based on the Germanic Stonehenge form, surrounded by walls and high towers.

In a classic union o f form and function, the monument blended naturally with the East Prussian landscape and resembled the towering castle form o f the Teutonic Knights o f yore. The graves o f the men o f the eastern armies were gathered around their leader, who would join them one day when he passed to Walhall.

Near the eightieth birthday o f Reich President von Hindenburg in , a gala dedication o f the monument took place. Chancellor Stresemann and an illustrious conclave o f generals, officers, and men o f the Great War joined the throng o f eighty thousand people there, gathered to pay tribute to Hindenburg and the war dead.

The socialists and communists attacked the war as a misguided display o f the power o f the political, social, and economic elite o f a corrupt capitalist state. It was criminal to order boys armed with rifles to launch a hopeless direct assault upon seasoned English units hedgehogged in with machine guns and artillery. Volunteers to the front! Its remarkable cast included two officers, Captain Haupt and Lieutenant Radtke, whose names were associated with the heroic storming o f Douaumont, as well as units o f the German Reichswehr.

True heroes know no defeat; instead, they seek annihilation for a greater good. In this period o f shame and degradation for the German Reich, they kept the flame burning brightly for their cause. Over the next four years, the Langemarck Committee carried out a national campaign to this end and were successful. Alfred Baeumler, professor o f philosophy at the Technische Hochschule Dresden, spoke at such a celebration in before a meeting o f the Hochschulring deutscher Art at Castle Boitzenburg.

What gave Langemarck meaning, he submitted, was that the heroes had died to change the world. His thoughts revealed his belief in the mystical union o f the Reich and the fallen. The transfigured spirits o f these grand heroes arise gleaming and unite with yours, person to person and hand to hand and faith to faith and honor to honor and loyalty unto death. They once heroically stormed the hills which spewed forth their murderous fire, bleeding, clearly seen against the background o f burning windmills, easy targets for the enemy.

For Wehner, idea and will had joined in a beautiful union in the fields o f Flanders. By singing their song, the dying youths gave expression to the noble idea o f freedom. The deeds o f the fallen had become immortal: The dying sang! The stormers sang. Because the sacred German Reich is not a question o f boundaries or countries, it is as infinite as the world itself, created by God, and given to the Germans as an immortal commission.

Their song did not perish when they died at Langemarck. The dead heroes became an omen for the German people. Wehner pointed to the future, to a Third Reich: We will have to build the state, not as servants o f the state, but as free, farseeing sons o f the Reich. We will have the Reich only when power and the inner man flow together in spirit.

Wehner concluded with a vision, as those present were about to meet the heroes: They are already beginning to shine, those tender shadows. Happiness wells up on their young faces, the eternal happiness o f the immortal. Now they are more alive than we, and they move about in a joyful mood, singing and saying: "Build the columns o f the Reich over the corruption o f the world!

The Reich is everywhere and its blood witnesses are everywhere. Its heaven glows and its dead shine like the stars. Heroes went unrecognized, and their sacrifice was viewed as simply a regrettable loss o f life devoid o f meaning. Johst claimed that Wehner had sounded the trumpet anew, announcing that the men o f Langemarck were the first blood witnesses o f the coming Third Reich. A new age o f heroism was dawning. The cemeteries o f the fallen surrounded the frontiers o f Germany with sacrificial altars o f the Reich, fortresses o f the soul signifying the eternal bond between the dead and the living.

The torch was being passed from Langemarck to the Third Reich. They were encamped among the crosses o f their fallen brothers, and as night fell they gathered around a campfire, where they conjured up images o f heroes past and dreamt o f future deeds o f self-sacrifice. Now a miraculous turn o f events was opening the way for the fulfillment o f their dream in the Third Reich, led by one o f their own, a simple soldier and comrade in the Flanders theater.

At our feet— the graves o f Langemarck. We have two weapons to achieve this: we have our swords and we have our Adolf Hider. They greet the dead o f Langemarck and the German revolution, for which one day they too will die. The dead have returned home in us. In this radio drama, written in the style o f a medieval mystery play, a German front soldier assumes the role o f Christ.

He suffers the indignity o f a crown o f barbed wire from the trenches and is crucified by his own people who are led by Jews and Marxists. Schirach claimed that an entire people stood loyally with the youth o f Langemarck and that the dead spoke with a strong voice in every boy and in every girl in the new Germany. Langemarck Day was not an occasion for mourning, von Schirach claimed. Instead, it was a great day o f reunion and an opportunity to rejoice in the resurrection o f both the martyrs and the young nation.

We give you our very special greetings today. This is the meaning o f Langemarck! That we forget ourselves, that we sacrifice ourselves, that we are loyal, that is the message o f the fallen to the living, that is the call from the beyond to our timesBecause the German dead have risen. With our flags waving we march together with them into eternity.

Hitler's view o f the world had been molded by his own experience at the front, and it was inevitable that he would attempt to succeed where the German Reich had failed. During the course o f the German offensive in the west in May , Flanders soon fell into German hands. For them, the German armies were answering the call o f the fallen from afar, and they relished the joyous reunion o f the living and the dead. It was but a matter o f days before Hitler journeyed to Langemarck, which for him was a sacramental experience o f the first order.

Willi Fr. The day o f the greatest German victory has come on the sight o f the most tremendous sacrifice o f German youth, and its symbol is already flying over the monument. Those who fell for a new Germany now join in a comradely front with those who confirmed this new Germany through their struggle and their death. A Volk which can claim the youth o f as their own can never be destroyed. The young men o f the second Langemarck wave are living testimony to that.

It had been a religious experience for him and for those who had served at the front. But the tears o f Good Friday gave way to the joy o f a German Easter and the promise o f eternal life. God created death as a brother to life: The heart o f the world beats with the blood o f heroes. We marched before you through the dark gate and shone for your resurrection. Thus celebrate for us with cheerful, bright resound a chant o f victory is our funeral music.

Griefs noble gem glows vividly, death is short and being is eternal. Arise and stand tall proudly proceeding into the light: Freedom is already kissing your face. Motto o f Albert Leo Schlageter1 Although he was but one o f thousands o f young men who distinguished themselves in the Great War, Lieutenant Albert Leo Schlageter became a martyr to the German people. Germany was bleeding from a thousand wounds.

The Allied blockade o f Germany only worsened the conditions o f famine and suffering, leaving it vulnerable to foreign attack. Polish insurgents threatened Silesia, and East Prussia lay open to communist penetration. T h e appalling conditions that follow ed French occupation o f the R uh r in set the stage fo r the birth o f a legend o f heroism.

Alm ost overnight he was elevated from Free C o rp s fighter and lawless conspirator to a symbol o f the G erm anic faith, transcending party and class. Troubled, unable to rest— Golzheimer Heath. Flaming blaze. Do you remember? You were the living deed. Born in a Catholic farming family, he was one o f six children. As a boy he loved to roam the hills and valleys o f his native Black Forest, to dream under majestic fir trees, and to listen to the tales o f war veterans recalling their hour o f glory in the German victory over France in There he was consistendy a highranking student.

With the onset o f the war in , he volunteered for service in the seventy-sixth Field Artillery Regiment. After a brief training period, he was sent to the western front. Schlageter moved up the ranks quickly, distinguishing himself as much for his bravery as for his mastery o f the technical aspects o f the artillery arm.

He seemed to know no fear. War comrades later reported that Schlageter was often seen charging into enemy shellfire with a lighted pipe in his mouth, and he became something o f a legend in his unit. He saw service in sectors ranging from Flanders to the Vosges. Schlageter experienced the living hell o f Verdun, and he was wounded there in During the war he wrote several letters to an esteemed teacher, Rektor Matthaus Lang zu Konstanz, reverently thanking him for his prayers and for those o f the pious brothers o f the Sankt Konradihaus.

I have made mistakes and have sinned.. But there is nothing that suits my nature more than theology. He was attracted to its ethos o f honor and duty, and he had a deep sense o f responsibility to the men under his command. He refused the comforts afforded officers when his men fared poorly. He scorned the shirkers and the profiteers on the home front, the pretensions o f the reserve, and above all the distant officers o f the general staff.

In a letter posted to his parents on 17 December , he wrote: It is sad that our dear Emil will never again write his blessed Christmas letter. We will miss him terribly, b u t. God in heaven will not be his judge, but rather his Saviour.. Thus we must take the pain we feel at his loss and turn it into a deeply-felt longing for a reunion in Heaven. In turn, his faith molded him into a soldier o f rare courage.

Like so many o f his comrades, Schlageter held firmly to his belief in the final victory. We will do everything possible to be certain that we get the job done. Covering the retreat in their sector, they marched intact across Belgium to their destaging area in Freiburg. The war had radically altered their lives, and they were different human beings. Gradually the men o f the unit had become brothers, and they formed a family in the passionate service o f the nation.

How narrow the vision, how limited the experience o f the comical professors and the postpubescent students who had never experienced the storm o f steel at the front. This roodess, materialistic world was devoid o f meaning for a man who had come to think heroically. Personal Collection. Where he sought love o f country, he found communist betrayal and evidence o f the Soviet world conspiracy. Nowhere could Schlageter and his comrades find Germany; nowhere could they find the homeland o f their imagination.

Edwin Erich Dwinger spoke for many when he explained the reason why: The homeland was with them. The war was their world, the war dominated them, the war would never let them g o.. They will always have the front in their blood, the nearness o f death, the sense o f duty, the grimness, the ecstasy, the shells.. The war is over. But the warriors are still marching. Letters to his parents reveal a man who was lost until he came home once more to rejoin his front comrades in the Free Corps von Medem.

This remained his calling from the time he joined the old boys from Baden in the Edelweiss Battery at Waldkirch in March until he was executed by a French firing squad in In the spring o f , Schlageter was deployed in the campaign against the Bolsheviks in the Baltic region. East Prussia was in danger o f being invaded by determined Latvian communists. Estonia had already fallen to the insurgents, and the red flag flew over Reval and Dorpat. Under the command o f General G raf von der Goltz, the Free Corps von Medem took part in the successful counteroffensive that liberated Riga in May In Riga alone, he noted, the GPU had killed several thousand Latvians and tortured coundess others in their subterranean cells o f horror.

The most insignificant theft is handled much, much more severely than during the war. We have excellent discipline. If this were not so, 1 would leave immediately and come home. This band, which was outlawed by the government in Berlin, served under the command o f the mercurial Russian nobleman Prince Pawel AwalofF-Bermondt.

Following this reversal, he retreated to the relative security o f an estate in East Prussia, where he awaited the next call to service. T o him, there was no quesdon o f returning home, and he broke contact with his family for the dme being. He felt betrayed by a government that he considered cynical and opportunisdc. Now that the socialists felt secure with the reins o f power, they withdrew their clandesdne support for the Free Corps. Worse yet, they unleashed a brutal rhetorical assault on their erstwhile rescuers.

But what we now have are Praetorian hordes, who have become a plague upon the land. While engaged in the neutralization o f the communist insurgents in the Ruhr, he took part in the bloody class warfare at Bottrop. Once more Schlageter went to the East, leading a Robin Hood existence in support o f the Lithuanians in their hostilities with Poland. Submitting to pressure from the Entente powers, Lithuania attempted to intern the German Freebooters, but many o f them escaped. According to several popular accounts, most o f which have some factual basis, Schlageter The M artyrdom o f Albert Leo Schlageter 19 subsequently underwent a series o f Herculean labors.

Dashing westward to escape incarceration, he allegedly swam the Yula River bordering Poland at Tauroggen on a cold and windy night in November At another juncture, he rejoined the men o f his battery encamped for the winter in Lithuania, which had appealed for their help once more. Wilhelm Hiigenell, a veteran o f those days, recalled: Because o f a lack o f winter clothes and money, that Christmas in Kowno was a miserable one for the men, but a great surprise lay in store for them.

Suddenly Schlageter stood before them. He gave all his money and clothes to the surprised m en.. In the view o f German nationalists, the French had gone far beyond their role mandated by the League o f Nations to function as overseers o f the plebiscite, even supplying their Polish ally with deliveries o f weapons and intelligence information.

Schlageter joined the Spezialpolizei, linking up with the Storm Battalion Heinz, a highly secret countersabotage unit under the command o f Heinz Oskar Hauenstein. In one notable commando operation, Schlageter took part in a raid that freed twenty-one Germans from a prison in Kosel.

Many other undercover operations followed. When the German batde flags were raised high atop the Annaberg on that day, the Free Corps had won a victory that the Nazis celebrated as a chapter in heroism. Late in , Schlageter was posted to Danzig— a German city transferred to League o f Nations control— where right-wing radicals hoped to establish the infrastructure for a coup. During his stay there, he became the subject o f international attention when it was widely reported in the press that he had become a spy in the service o f Poland.

Emboldened by the knowledge that it would be compromising for Dubitsch to arrest him in the Free City, Schlageter called on Dubitsch at the Polish consulate. Major Hauenstein personally stood guard across the street as a precaution. Within minutes, Schlageter was revealed to be exactly what he was— a German spy. Dubitsch set him free but, at the same time, published photographs offering a reward for his arrest in the newspapers. He also provided leftwing journalists in Berlin with precisely the sort o f slanted materials for which they were hungering.

Located on the Linkstrasse, in all probability it served as a cover for the illicit trading and storing o f weapons for future use against both foreign and domestic enemies o f the nationalist cause. He did not take an active part in party activities, although he journeyed to Munich in to hear Hitler address a meeting o f thirty members o f the Free Corps Rossbach and Organization Heinz. Both a political gamble and an act o f revenge, the invasion fomented a crisis with tragic consequences.

At that moment the French moved into the dty. The whole morning I walked through the city, totally beside myself. Everywhere the French were confronted with the contempt o f the Germans. Restaurants refused to serve them; taxi drivers left their cars when French soldiers climbed in; hotels refused them rooms.

They were spat upon and terrorized by night. In a bloody confrontation at the Krupp plant in Essen, thirteen unarmed workers were gunned down, and thirty were wounded. Rumors were rife. The Organization Heinz sprang into action once again, opening the way for what conservatives saw as a page o f glory in the history o f German heroism. On one occasion he read his flock lyrics by Friedrich Schiller on the theme o f freedom: So we have to cringe and sneak about on our own soil, like murderers, and take what is rightfully ours by night, whose dark cloak lends itself only to criminality and conspiracy, but which in our case is as bright and clear and majestic as the noonday sun.

For o ver two m onths, Schlageter took part in both sabotage and intelligence endeavors directed against the French in the R uhr. A main function o f the g ro u p was to dynam ite rail lines in an effo rt to halt the delivery o f G erm an coal to France. O n several occasions his guerilla raids w ere successful, and the French w ere on the alert fo r fu rth er insurgent operations.

This was probably perpetrated by two young men with the following descriptions. Family name probably Fr. Information is urgendy requested which will lead swifdy to the arrest o f the guilty parties. Strangely, he had registered under his own name, although a cache o f explosives was in his possession. There Schlageter learned that the police had rounded up many o f the members o f the Organization Heinz, including his accomplice Hans Sadowski, as well as Georg Werner, Georg Zimmerman, and the medical student Alois Becker.

On April 14, while the French were preparing their case against him, Schlageter was able to smuggle a letter out o f prison to Hauenstein: A hell o f a situation. The whole operation is closed down. But be careful. The whole stinking traitorous mess was traced from me to you. They not only knew what we did, but they had word-for-word evidence o f our future plans. Our men in Essen cannot be used anymore.

They will pass themselves off as old comrades from Upper Silesia, but they are really French criminal agents. Greetings to you and a Heil to all. His case had occasioned considerable attention both in Germany and abroad, and it was being closely monitored in Berlin as well.

On 22 April he wrote to his parents: A thousand thanks for your letter. It has been hell here since my arrest on April 7. I do not fear even the worst sentence, nor does it sadden me. If I were alone on this earth I truly do not know what could be more beautiful than to die for the Fatherland. Day and night. If I could have spared you this, I gladly would face the shells two or three times.

Continue to be brave. Keep your hopes up. Time hung very heavy on his hands. The German authorities foiled any future attempts at escape when, in a lightning raid on May is at Elberfeld, they arrested Heinz Hauenstein and most o f the members o f his organization. According to the president o f the tribunal, in the interest o f public safety swift ajudicadon o f the case would follow.

T he evidence against the defendants was presented in four counts: abetdng crimes against the occupadon forces, bombing o f railway lines, sabotage, and plotting against German agents. The court was able to learn only the barest information from the accused. As the judgment o f the court was read, French infantrymen with drawn pistols surrounded the prisoners.

Schlageter was sentenced to death, while his accomplices received lesser punishment. When they caught sight o f Schlageter, several men removed their hats in silent tribute to him. In anticipation o f an impassioned response to their actions, the French treated the affair as a military engagement, assigning several units to guard the prison. Think o f me lovingly in die future, and hold 24 I T o D ie for G ermany my memory in honor.

This is all that I still want from this life. Dear Mother, dear Father!. My greatest wish until the last second will be that our dear God will give you strength and comfort, and will make you strong in these difficult hours. I have done both. Although Chancellor Cuno protested the sentence in the strongest possible terms, parliamentary factions formed that engaged in a campaign o f violent rhetoric. We do not approve o f the bombing o f railways. The French have shown at many points a ruthlessness, an open hatred, as if they were not facing an equal cultured nation, but instead barbaric tribes o f some dark continent..

If this brutal treatment causes Germans to well up with a wild hatred against the invaders and forces them to answer illegal violence with illegal violence, then the French have only themselves to thank. On Pentecost, several supporters visited Schlageter in prison and warmed his heart with gifts o f cakes, ham, flowers, cigarettes, cigars, and chocolates.

After being informed by a French officer to prepare for his execution, Schlageter sat down at the table in his cramped cell, where he wrote these final lines to his family: I am about to go to my death. I will be able to take confession and communion. Farewell until our happy reunion in heaven. Greetings to you all again, Father, Mother and all those in the homeland. At the first light o f dawn, Schlageter was executed in a quarry on the barren Golzheimer Heath.

The event occasioned bizarre comparisons with the death o f Christ, as German nationalists drew parallels between the Golzheimer Heath and Calvary. An infantry company and a squadron o f cavalry stood guard at the quarry. Instead o f standing to face his executioners, Schlageter was blindfolded, tied to a stake, and forced to his knees.

This happy spring melody was a devastating contrast to what was about to take place. A sergeant rushed forward and administered the coup de grace with a pistol shot to the head. This act wounded German sensibilities more than any other, leading to the charge that Schlageter had been murdered. Within a day, a cross had been fashioned from birch branches and mounted at the place o f execution.

The drama that ensued was an extraordinary chapter in postwar German nationalism. Constanz Heinersdorf, who had been appointed to attend to Schlageter in prison, gave the eulogy, noting that he had been strengthened by the noble character o f the man: You were inspired solely by a glowing love for our Fatherland..

Through your manliness you knew how to gain even the great respect o f your enemiesYours was a moving, exemplary characterLive on, comrade. The staging for the ceremony that followed was remarkable. The catafalque had been placed on a podium, banked by lush flowers and ornamental tributes to Schlageter. On all sides the forbidden imperial colors o f black, white, and red were in evidence, while candles bathed the scene in a solemn glow.

Sorrowful organ music swelled up through the hall. May your example o f the joy o f self-sacrifice live on forever! Down with all parties! One united Volk o f brothers!. He went to his death like a good soldier o f Christ. The muffled sounds o f a military band were heard as the procession wound its way to the railway station. At many stations, honorary formations o f patriotic associations turned out with thousands o f mourners.

Army reserve units appeared in formation at Hagen, while at Weidenau in the Siegerland hundreds o f workers appeared in formation in their blue smocks. All along the route, the outlawed flags and colors o f the Kaiserreich were in evidence. There the rector o f the university praised Schlageter: The place where his blood flowed will become a holy shrine for the German people. Some day a free Germany will build a magnificent memorial to keep the name o f Schlageter alive for future generations.

T o be sure those o f us here today will not be allowed to erect a stone memorial. But the name o f Schlageter will be inscribed in our hearts, where he lives as a glorious example o f love o f Fatherland, o f unwavering belief in the future o f the German people and inspiring heroic loyalty to the death.

At last, the train carried him home. They will not be asked why at the Last Judgment. Today, he said, the government once again could not do enough to persecute German patriots. What caused the most pain was not that Schlageter had been martyred but that the weak and divided German people had not earned the honor o f his sacrifice. Let the storm break loose! Severing also ordered the arrest o f Hauenstein and the special forces as they were laying plans to free Schlageter from prison.

They stop us from turning the passive resistance in the Ruhr into the active resistance o f the entire German people. The enemy are not just on the Rhine and Ruhr, they are— in the name o f God— right here at home. And who are they? Socialist Party hacks!

Instead, he charged, internecine strife within the Free Corps had brought it about. Severing asserted that the worst thing about the affair was that the reactionaries had used the burial to further their schemes to undermine the Weimar Republic. Keep this for the burial o f the Jewish Republic. An employee o f the Union Hotel in Essen testified that, on the day he was arrested, Schlageter had been intimately involved with a woman at the hotel. He had been drinking heavily, and one way or another the woman learned that Schlageter was hiding explosives in his room.

According to the French intelligence officer Allard, she reported this information to the French police in Essen. Since the identity o f the woman was not learned, it was never ascertained if she was a French secret agent or merely a woman o f loose morals. Although kept a secret at the time, evidence subsequendy proved that Hauenstein was indeed engaged in sabotage as an agent o f the Reichswehr and the Ministry o f Transportation.

Far from being an independent band o f desperadoes, the Organization Heinz had received money, munitions, 30 I T o D ie for G ermany and moral support from official sources. At the same time, it demonstrated the ambiguities o f heroism in the postwar world. The Schlageter affair took a bizarre turn when it was exploited by the communists. We believe that the great majority o f the nationalist-minded masses belong not to the capitalists but to the workers.

We want and we shall find a way to reach these masses. We will do all in our power to make men like Schlageter. Schlageter himself cannot hear this declaration now, but we are certain that there are hundreds o f Schlageters who will hear it and understand it.

Despite an effort by the KPD and some components o f the German right to cooperate during the summer o f , it was a foregone conclusion that this policy would fail. For German nationalists, the memory o f Schlageter was not a question o f tactical advantage but one o f unwavering devotion.

You are a hero o f the nation, the example o f what a German officer should be, and the very model o f a National Socialist! Many traditional songs were published with lyrics reworked to convey the emotional intensity o f his death. O Riga! O Mother dear! O you Black Forest! O red o f dawn! At Nuremberg there was a torchlight parade through the streets, and thousands o f votive candles placed in the windows o f homes flickered in the darkness. Instead o f a swastika, a striking Christian cross o f iron towered over the heath where he died, suggestive o f the promise o f resurrection.

There one found the names o f all those who had died in the battle for the Ruhr. Friedrich Christian Prinz zu Schaumburg-Lippe described the impression that the monument had on Goebbels, when he first visited it in April Goebbels had never been here since the monument was built.. We proceed in a long column. The closer we come to the crypt, lying under a high metal cross, the quieter we become. Not a soundBefore us lies a simple stone tablet. Tremendous, really tremendous in its effect..

Goebbels stands a long time, staring at the plaque in the crypt. The memorial, he submitted, was at once organic in form yet monumental in the message it conveyed to the nation— the inspiration to serve the Volk and Fatherland, come what may.

Because the Staadiches Schauspielhaus enjoyed enormous prestige as the official state theater, the cast featured several theatrical luminaries o f the era. Schlageter would not have recognized the distorted image o f himself in the play, where he emerged as a prophet o f National Socialism. Schlageter— like so much o f the expressionist literature that preceded it— was a play based on stereotypes.

Although radically overdrawn, the characters accurately reflected the dizzying social and political cacophony o f the Weimar Republic. T h e central theme o f the work was clear from the outset— an awakened, self-sacrificing youth was to redeem a crucified nation. The old make great speeches. Schlageter agreed, complaining that the war came. Again and again Johst unleashed attacks against the hated republic. Then in the middle o f it, hands up!

I uncock my Browning! Berlin throws you out, plays you for trash!! This has got to stop! We are blasting away at the wrong enemies! First action at home. Liberate the Reich from the parliaments. The more the French provoke us, the lower the bureaucrats kowtow to them.

Johst was skillful at drawing caricatures o f political types active in the Weimar Republic. He painted the socialist Reichstag member Willi Klemm with caustic irony. Klemm was fat, arrogant, and devoid o f patriotism; heroism and service to the country were foreign concepts to him.

Johst employed the son o f a Marxist power broker as an ideological foil. Every individual corpuscle in the bloodstream o f the Volk. Schlageter stood out in the play as a beacon, lighdng the way out o f the German darkness. His example heals the polidcal divisions o f the past and reclaims alienated polidcal groups for the Volksgemeinschaft.

Old Marxists return to their German roots, and true German women herald the new dawn. Germany awakened! A French military vehicle provides a dim light, as Schlageter— his back to the audience— is bound to a stake. Struck from behind, he is forced to kneel before the The M artyrdom o f Albert Leo Schlageter 37 unspeakable enemy. A final word! A wish! Catch fire! Burn wildly! Schlageter had died so that the nation might live. Gauleiter Florian sounded a verbal fanfare, noting that Schlageter had demonstrated not only how a German should live but also, and more important, how he should die.

In those days the memory o f Schlageter inspired us and gave us hope. We refused to believe that his sacrifice had been in vain. Schlageter, you can rest in peace. We have seen to it that you were honored here and not betrayed like your two million comrades. As long as there are Schlageters in Germany, the nation will live. At Freiburg University, Martin Heidegger extolled the virtues o f Schlageter, drawing lessons from his life for the present generation o f students.

In Leipzig, the Feme murderer Manfred von Killinger addressed a rally o f forty thousand people. And at Riga, deep in the Germanic-Hanseatic east, a memorial service was held in the cathedral to pay tribute to the man whom many believed had saved the city further abuse at the hands o f the Bolshevik hordes in ig ig. But the prisoners had allies o f their own and were able to play upon the feuds within the higher echelons o f the party. Pressure was put on the SS, which concluded its investigation at the end o f the year.

He renewed the vendetta with Hauenstein and raised the stakes. His efforts were not without results. The SS was now free to proceed in the case without hindrance. The martyr was given considerable attention in propaganda for German youth as well. All children were exposed to readings on the subject in their school primers, and numerous books and pamphlets were dedicated to his memory.

He went to his death answering only the call to duty. Blood had returned to blood, spirit to spirit, transfiguring the souls o f the fallen. The Immortals had joined the long line o f warrior heroes o f the epic Germanic past in Walhall, and their legendary deeds inspired future martyrs over the coming years.

According to Nazi mythology, their resurrected souls had returned to join the fighting columns o f SA, SS, and Hitler Youth, thus guaranteeing the victory o f National Socialism. It encouraged them in the dark yet glorious days o f the Kampfzeit, while pointing the way to the future.

Each year, the party members who took part in that historic march gathered in Munich for the pageant o f reenactment. Above all, the events o f 9 November enabled us to fight our way to power legally over ten long years. But Hitler was determined that a decision would be reached in November, come what may.

Five years o f humiliation had taken its toll on the insurgents. Its cultural capital, Berlin, was an asphalt jungle fit only for destruction. The fact that Field Marshal Erich Ludendorff marched in the first ranks encouraged him to believe that the tide could yet be turned. The streets were teeming as the column turned into the storied Marienplatz, where that morning Julius Streicher had harangued the masses with his nationalist appeals.

Now as we approached the FeldhermhaUe the same scene greeted us that we had just experienced at the Ludwig Bridge. Except here stronger units were deployed. State Police and Reichswehr troops were in position with mortars and armored cars, and they were ready to shoot. There must have been a thousand men blocking our way.

We moved down the Residenzstrasse singing uO Deutschland hoch in Ehren. Those o f us out front raised our arms once more, yelling to the troops that Adolf Hitler and General Ludendorff were there. Infected Mushroom - Nerds on Mushrooms feat. Pegboard Nerds [] Infected Mushroom - Now is Gold feat. Kelsy Karter [] Infected Mushroom - Savant on Mushrooms feat. Savant [] K - Tilt [] Karetus - Acid [] Karetus - Fbeats [] Karetus - Knock You Out [] Karetus - Rave On!

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